KATIE CHATS: tiff, MARCELO ZARVOS, COMPOSER, ENOUGH SAID, THE FACE OF LOVE

KATIE CHATS: tiff, MARCELO ZARVOS, COMPOSER, ENOUGH SAID, THE FACE OF LOVE


KATIE CHATS with Composer MARCELO ZARVOS about his music for the films, "ENOUGH SAID" (by Director Nicole Holofcener) & "THE FACE OF LOVE" (by Director Arie Posin) both of which are screening at tiff 2013 in Toronto.
YOUTUBE INTERVIEW: http://www.youtube.com/playlist?list=PL_tyATzgqBONUUf9gNjmpvfH1b6DVNDWq

WEBSITES:
http://tiff.net/filmsandschedules/festival/2013/enoughsaid
http://tiff.net/filmsandschedules/festival/2013/faceoflove
http://tiff.net
https://www.facebook.com/TIFF
https://twitter.com/TIFF_NET
http://www.youtube.com/user/tiff

KATIE CHATS:
IMDB: http://www.imdb.me/katieuhlmann
YOUTUBE: http://www.youtube.com/user/KatieUhlmannChats
TWITTER: https://twitter.com/#!/KatieChats
FACEBOOK: https://www.facebook.com/katieuhlmannchats
WEBSITE: http://katiechats.com/

Katie Uhlmann is a freelance entertainment host for KATIE CHATS.
CONTACT: katie@katiechats.com

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Closed Caption:

the man and Katie on reporting for Katie
check out here the telefilm Tea Lounge
in downtown Toronto with composer
Marcello's are both how does it feel to
have two feature films
enough said and the face up love
screening here at the Toronto
International Film Festival
what feels like a real a real honour and
is one of the great
great for us was in the world and to
have these two films premiering here
it's really ok
it's quite overwhelming them they were
in the best sense of the word I i lov
this festival and I concur
the lab on the sophistication in the
films is amazing to be a part of it
with two films is it's a pretty great
and
both films deal with love but in very
different ways
can you tell me a little bit about the
differences between the two films and
how you approach them
depending on the subject matter yes both
both films
you as you said they do with logs I face
a blog
deals with Los and I'm I guess you could
say that both also do we lost but from
from very different angles artificial
blogs a very dramatic
on it's a very sad story upon loss and
sorrow
am things that will do Touran
get back something that we lost
you know and I'm Annette Bening gives up
amazing performance of course like she's
the the incredible actress that she is
or and but it's mostly
it's a daughter film and its updates and
much more
on a internal film 20
the upset also deals with lost but it
actually the loss that the characters
are feeling is actually there
there daughters going to college so
these two characters to 100 rifles in
the late James Gandolfini
are dealing with Adam and
I'm romance that is stepping between
them has
as a very I want to give away because
both films have
have very there's a mailman that if I
say what it is I think it would really
the track from the yacht experience but
they both both of these women
I judy Woodruff was on the maps that and
and that banning on the principle of
their head they have secrets and there's
the secrets that they're keeping from
their
partner dead
come to hope that haunt them you know in
a big way and kind of place and go up in
their faces eventually but
I'm both of these teams have that in
common
but um in upset is by
a Nicolas enters a writer director she's
a wonderful wonderful writer and what
this is for 630 Menchie's
just keep just keeps getting better it's
really funny Julia louis-dreyfus gives
this
I love I lover you know since there so I
feel like everybody else you know we
have a real
while watching our end and Tender Fee
need gives his amazing performance which
unfortunately it's
to be one of his last but um he really
transcends
that role Tony Soprano that so many
people have been
you know so she hated him for with him
for a long time
and visible rigged really powerful films
ready for firms enferma composing
perspective
what is your working process like when
signing onto
a film in in general on each of them
individually
well first there's panic you know
bathroom habits
and then once the panic kinda a comes
out a little bit when you know you
you try to really get from the director
what is it that the word
walk because you're there to really make
their vision complete
and they have a lot of trust in a
composer because it's one area that most
directors
cannot do with themselves and shawl
there's a lot of talking a lot a
briefing going on from the director
and ultimately a lot of trial and error
in all of trying things and
experimenting and taking chances
sober mood and upping the cutting room
floor in some of them
you know that the really good ones are
the swing your
what is the importance up the score in
terms of the filmmaking process
I think the score is that final element
you know I always
try to say like if you're baking bread
or something you're going to meet
some elements to make it to really for
the bread to really happened and I think
it's
there's a beautiful alchemy thing I
think and feel dat the music is this
warm
short mysterious and magical element
that comes in but ties it all together
and also
drawls most important draws the audience
emotion into the film that makes you
really feel that you're there and you're
your experience it that bad in reality
what inspired you to become a composer
other films you know other films I mean
I i
blog in film since I was a
as a little boy and I just watched are I
remember watching
dunno godfather for instance and for a
while that so amazing and the music so
beautiful what is that an
I would buy I was a musician since I was
very young and dumb
was always very fixated on all new
writing movie score so
web that it worked out computed well
thank you so much congratulations and
have an amazing time here at the Toronto
International Film Festival
thank you for having me thank you very
much thanks I'm KBR man reporting for
Katie chats: at the telefilm Tea Lounge
in downtown Toronto
the new
the new
are
on

Video Length: 05:43
Uploaded By: Katie Chats
View Count: 499

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