Antelope Audio Isochrome 10M Atomic Clock, Antelope Audio OCX: Jeff Ehrenberg Does Not Have The Jitt

As a co-founder of Infrasonic Sound in Los Angeles and a rep for Vintage King Audio, Jeff Ehrenberg is in a pretty sweet position. Not only does he get to provide L.A.-area engineers with excellent recording equipment, and not only does he get to test it out in his own studio, but he sometimes gets little bonuses from products he reps, like the Antelope Audio OCX. It was a gift to him for selling so many of the same company's Isochrome 10M, a Word Clock generator that Ehrenberg claims basically sells itself.

The Antelope Audio Isochrome 10M is a true atomic clock, powered by a rubidium crystal. If you're wondering what difference a rubidium crystal could possibly makes to the digital recording process, you want to learn how the Isochrome 10M and the Antelope Audio OCX work together, or you're just confused as to what-all a word clock even is, this is the video to peep.

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Closed Caption:

used
cell continuing on the court tour with
things on in about the console
I'm we recently added the I'm antelope
atomic clock with the OC axe on
the the OC X is an ellipse entry-level
clock it's about twelve hundred dollars
and that we had that first and that was
a tree huge improvement just over the
internal clock for using on the Digi
system
and antelope had a program where he sell
X amount of their stuff is a salesman
they give you gift
and this is the easiest 10,000 our
product ever sold
it just it sound so undeniably good that
every time i present when somebody
they can't live without it so I was
fortune up to sell a bunch
sure to my time and then we added this
the studio
a and you know with the atomic clock
that actually does it uses for BDM
atomic element and
not sure that they exist you know the
exact physics have it but but he uses
that is the
is the poll says the store as the source
I'm at ten thousand megahertz
and then the OC except divides the
10,000 megahertz
into a workable sample rate so almost no
jitter
on it takes a mix and it makes it very
3d
on the kinda to me I'm is similar to you
when you
to a two-track machine and you get that
really define center channel from
getting a two-track machine
it does that for me and digital cell I'm
it's pretty nu for us and still coming
getting use to obey its it's real treat
insert a leg layman's terms I guess you
know what went digital sweat
flashing say we're talking about a red
book CD separate if 44,000
one 100 times per second you know when
that saw flashing a year and you're
using
converters are maybe even multiple
converters you know a channel 16
channels
the their rates at which those are
flashing could sort of swagger little
bit from converter to convert or from
employer to employer
and the end result is an as fluid
it's not as much like a sine wave which
were used to analyze it
is arriving here in a very you know
fluid state fashion
and so on all-digital 80 covers have a
clock built into on
on by job you know a quality clock as we
see
with this system costing on the ten
thousand dollars you get what you pay
for
you know cell manufactures but the best
they can and
for the backing a best value aspect but
by Tom one way you can prove that
swagger update digital jitter the
flashing
is to improve the clock source and once
you do that
then you get those 44,000 separates the
rating air at the same time you get
you know you notice more nuances such as
reverb tales
maybe the bottom and might be tighter a
just serve across-the-board improves
everything